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Quik Flix Hit

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Summer Movie Series

X-Men: Days of Future Past (2014)

Rated PG-13

x-men-days

Twentieth Century Fox/Marvel Entertainment

So here we are, another X-Men movie. This one’s a linking film between 2011’s look-they’re-all-young-now prequel, X-Men: First Class, and series proper, where they are old dudes and dudettes. Elements of this film were established in 2013’s standalone feature, The Wolverine.

In the BloghouseIt’s not as confusing as it seems—if you even bother to try and sort through it all. It’s enough to know that some time in the future, the human and mutant races are under siege and nearing extinction. Professor X (Patrick Stewart), Magneto (Ian McKellen) and the few remaining good/bad mutants are in a last-stand battle to stave off lab-created supermutants. These genetic robotic-mutant monstrosities can adapt to any of its foes’ varied mutant powers, making the supermutants all but invincible.

Once all seems lost, a Hail Mary time-traveling gimmick is employed that allows Wolverine (Hugh Jackman) to be mentally catapulted 50 years back in time to his younger body. Hot-headed Wolverine isn’t the best representative to send on this mission to destroy the enemy before it’s even created, but his near-indestructible Adamantium frame and mental constitution make him the only one capable of making the journey. Not only must he stop an as-yet-created enemy, he must convince now-younger Professor X (James McAvoy) and Magneto (Michael Fassbender) to assist him. That second part may be harder than the first since the two mutant leaders are respectively suicidally depressed and incarcerated in a super-prison—and hate each other to boot. (See the previous film if you don’t understand how this came to be.)

Stopping the supermutants—created through a nefarious Vietnam-era government program—involves stopping rogue mutant Mystique (Jennifer Lawrence). The last movie saw her blue-hued, shape-shifting mutant making romantic gestures with both Professor X and Magnetic. Her now-bitter character’s actions put her on a collision course with mad scientist Dr. Trask (a great Peter Dinklage), which will ultimately create the bleak future. All of this occurs at a brisk pace, is action packed and—thankfully—humorous.

Fassbender, McAvoy and Lawrence bring needed dimension to the proceedings, and Jackman’s always engaging, particularly in the ’70s setting. Despite occasionally cutting back to the future, the original X-Men crew, including Storm (Halle Berry) and Kitty Pride (Ellen Page) get limited screen time.

How many more of these films can they make? I like them and the creators still find space to employ the mutant/societal outcast trope effectively, but I think the series is running out of road.

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| Marvin Brown’s Movie Review Archive

Quik Flix Hit — Summer Round-up

Posted on by in Movies | Comments Off on Quik Flix Hit — Summer Round-up

Monsters University (2013)

Rated G

monstersu

Disney/Pixar Animation

I’m growing disappointed in Pixar’s (Disney’s?) recent case of sequelitis. With an impressive run of original work—admirable not only for storytelling prowess, but for dedication to characters and CGI craft–it’s sad to see a recent spate of do-agains.

Bloghouse Still, I enjoyed Monsters University, a prequel to one of my favorite Pixar features. The latest film takes us back to the land of the monsters, at a time when Sully and Mike W. were rival college students.

I like the breeziness of the plot—a fraternity competition to determine the most fearsome frat on campus. The stakes are higher for young Sully and Mike, since their continued enrollment at the university depends upon a victory. Some old favorites are back—Randall!—albeit in younger form, and a new crop of scary-funny characters make the rounds.

It’s not as good as the original, lacking the freshness of the concept of a monster society and infinite doors that connect it to the human world, but it doesn’t embarrass itself and, like the original, finds space for warm touches of humanity (monsterity?).

While I’m not going to beef on the Toy Story movies (together they work as one great film), with Cars 2, it’s offshoot Planes, and a Finding Nemo sequel on the way, I’m longing for Pixar to get back to original work.

 

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Pacific Rim (2013)

Rated PG-13

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Warner Bros.

Through an interdimensional fissure deep within the Pacific Ocean emerge the Kaiju, massive monsters that lay waste to cities around the globe. And by massive, I mean these suckers can cradle the Statue of Liberty. By way of response, the world’s governments create Jaegers, equally massive robots to combat the Kaiju. And by massive, I mean these suckers can use a naval battleship as a baseball bat.

OK, right there: if that premise triggers eye-rolling, this isn’t the movie for you. If you’re in, though, this is a rockem-sockem giant monster feature that evokes the best of classic Japanese Kaiju movies (Godzilla, Mothra), while not taking itself too seriously.

Jaegers are operated by two human pilots who link minds to share the daunting burden of being mentally and physically jacked in to the machines. The linked minds allow shared personal experiences between the pilots, thus some level of character development. Our heroes are Raleigh and Mako, respective American and Japanese partners who quickly overcome differences and fears to effectively operate their Jaeger. Props to the screenwriters for allowing the Raleigh character (Charlie Hunnam) to sidestep the cliché of him being a bad boy with a bad attitude who needs to learn to be a team player. Too bad it doesn’t sidestep the cliché of the emotionally wounded heartthrob who must overcome his trauma to be the hero he is meant to be.

Edris Elba has a couple of strong scenes of dialogue as the leader of the Jaeger resistance (“Today, we are canceling the apocalypse!”), and great character actor Ron Pearlman (Hellboy), as usual, makes the most of his limited screen time as a black market dealer. Everything about this movie is big, and it’s big fun.

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The Wolverine (2013)

Rated PG-13

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Twentieth Century Fox

I like Hugh Jackman. I like the X-Men movie series, despite the fact that I’m having trouble these days seeing daylight between them. But the mutant-trying-to-cope-in-society trope is starting to show its gray hairs. Aside from the locale change (mostly in modern Japan), nothing seems particularly fresh here, but it’s dumb fun. I struggled to place this film within the proper timeframe of the ongoing series, but it doesn’t really matter. This was made to be a standalone picture featuring of one of the most popular X-Men characters.

Jackman’s great, whether he’s brooding over lost love, struggling with something close to immortality, or springing into action with those adamantium claws. A hand-to-claw fight atop a bullet train is the best sequence in the film.

If you’re a series fan, or will watch anything starring Jackman: See it.

Other summer movie reviews:

After Earth

Man of Steel

Upstream Color

Star Trek into Darkness

Iron Man 3

 

| Marvin Brown’s Movie Review Archive