Archives for climate change

Age of Consequences Interview

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DOCUMENTARY PRODUCER SEES PURPOSE IN DIRE WARNINGS

Sophie Robinson, executive producer of The Age of Consequences/PF Films

It is not your father’s global warming documentary, or even your former vice president’s. The Age of Consequences is a stark analysis of the faltering care-taking of the planet and of the resulting horrific consequences that have occurred and that lie ahead.

Director Jared P. Scott’s film positions itself outside the expected framework of liberal lecturing and scientists’ admonishments as it reaches for a broader audience by using hard-hitting visuals, unnerving data and, most critically, support from military experts. To be sure, its tone is bleak. While introducing the doc at a screening, executive producer Sophie Robinson warned viewers that they were about to see a horror film.

CHECK OUT MY REVIEW OF THE DOCUMENTARY HERE

Professionally assembled, Scott’s film doesn’t simply highlight the environmental hazards from climate change, but also examines dangers that cascade from them.

“It’s called a threat multiplier,” Robinson says. The term, used in the documentary by military officials, explains how a cluster of catastrophes—international conflicts, mass population migration, resource scarcity and even terrorism—emerge from the escalating threat of global warming.

Before she spent a year and a half producing the searing documentary for PF Films, Robinson got her start as a grassroots climate change organizer in Massachusetts. She was involved in a statewide network battling the environmental crisis. She also spent time as a science teacher.

A catalysis for her work on The Age of Consequences was another PF Films: Do the Math. That 2013 documentary, directed by Scott and Kelly Nyks, detailed the hazards of the fossil fuel industry. Its against-the-grain style got noticed, Robinson says.

“It got people excited.”

The film drew Robinson to PF Films, where she worked with Scott and his team fashion a unique take on the issue of global warming.

“We decided to make a film for people sick of seeing the same climate change films,” she says. “We wanted a ‘conversation opener.’ We asked ourselves what are some new angles?”

PF Films

A new angle was to seek a bipartisan one. Along with scientists and environmentalists, Age looks to admirals, generals and veterans to bolster its theme that environmental abuses and neglect can spiral into civil conflict, migration catastrophes, food shortages, terrorism recruitment—all while overwhelming humanitarian efforts.

Does Robinson think the matter-of-factly scary tone will be a liability for the film? She laughs. “Luckily, people don’t know how scary it is before they watch it.” It’s frightening stuff, she says, but that’s necessary to convey the seriousness of climate change.

One could think such a documentary would receive pushback in conservative circles, but interestingly the film’s strong representation of the military ruffled some feathers in liberal corners, Robinson says. “Some environmental groups thought we were too soft on the military.” But the military and security community are strong believers in the importance of taking serious climate change and its consequences. Those experts lend gravity to the film in a way a dozens of scientist cannot.

Despite its bleak presentation, the film’s ultimate aim is to encourage a positive change.

“We try to leave people with hope,” Robinson says. “There is an opportunity to change things. I actually feel lucky: I can make a difference in the outcome of our future. This is an opportunity to step up.”

The film debuted on Jan. 27.

 

| Marvin Brown’s Movie Review Archive

Quik Flix Hit

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The Age of Consequences (2016)

Unrated

 

PF Films

We’ve seen climate change documentaries that present us with the unnerving prospects of global environmental dangers, real and theorized, pushing our ecosystem past a bleak point of no return. Have we seen one arguing that a cluster of catastrophes—international conflicts, migration, scarcity of resources, even terrorism—emanate out from the epicenter of a man-made ground zero: global warming?

I might be slightly exaggerating when I say The Age of Consequences edges into the realm of a horror film.

The new documentary, professional and smartly directed by Jared P. Scott from PF Films, arrives Jan. 27 in an intense political season that either amplifies the stakes of its dire message, or will work against the film just as its call for cultural and legislative action is needed most. You know where you stand on the issue of climate change.

READ MY INTERVIEW WITH EXECUTIVE PRODUCER SOPHIE ROBINSON

Age works to tilt viewers away from partisan perspectives, hoping that fact-of-the-matter, up-to-moment catastrophes will speak louder than political talking points. The doc gets a big lift by featuring military experts speaking convincingly of their beliefs and, more importantly, experiences in the real cause-and-effect of environmental destruction. We’ve heard environmentalists and left-leaning politicians’ pleas for action, but Scott’s film mostly looks to admirals, generals, veterans to bolster an overarching theme that environmental abuses/neglect can cascade into civil conflict, migration catastrophes, food shortages, terrorism recruitment, and overwhelm humanitarian efforts.

What was once laughed off as “tree-hugger” hyperbole has been termed in some corners of the military as a “threat multiplier.” The film follows the dominoes as they fall: Climate change exacerbated one of the worst droughts in Syrian history. The three-year drought begun at the end of 2006 ultimately triggered 1.5 million Syrian men to leave their farmlands and move to city locations, seeking jobs and food. Additionally, Iraqi refugees were at the time migrating into Syria. These two factors alone spurred a 30 percent population growth in urban areas, which in turn drove up food and apartment prices, as well as drained the health-care system. Such strife is cited by officials in the film as a factor giving rise to civil war. Broken social structures leave openings for terrorist recruitment. The film suggests climate-change hazards will increase such migrations and their consequences.

And look at the threat multiplier from a financial perspective: A 2010 Russia-China drought, the film states, lead to wheat shortages in those countries. The countries responded by purchasing wheat on the global food market, which drove up prices across the planet, spurring economic chaos.

And from a humanitarian perspective: When global warming wreaks havoc on populated regions, getting aid to displaced millions increasingly is becoming a logistical nightmare, and soon, the film suggests, an unsustainable effort. The U.S. military alone spends increasing amounts of time exclusively on humanitarian and recovery efforts. It would take but a small cluster of these catastrophes occurring simultaneously to break the back a nation or create a devastating domino effect across the globe.

Scott and his cameraman Michael McSweeney keep the film moving by using sharp visuals. A reoccurring radar chart graphic works well as a visual interpretation of the tangled arms of environmental and social threats across the globe. The film makes good use of archival footage from current conflicts and catastrophes. Hurricane Katrina footage still chills to the bone. A technique of placing a subject center frame and at a distance (to highlight beautiful corridors and staterooms of power) subvert the common method of using standard shots of talking heads.

The Age of Consequences left me wrung out and the solutions belatedly offered—better stewardship of the planet, alternative resources, a more aggressive timeline to confront environmental hazards—are of the stripe we’ve heard before and don’t completely mitigate all the dread it previously piled on. Perhaps they can’t. Maybe the film hopes to shock the viewer out of complacency. What remains to be seen is how it lands in an era in which those in seats of power and their supporters don’t exactly seem like cheerleaders for climate-change activism.

 

 

 

| Marvin Brown’s Movie Review Archive