Star Trek Into Darkness (2013)
Rated PG-13
As the end credits rolled for Star Trek Into Darkness, an obviously old-school Star Trek diehard (I’m not using the ‘T’ word) came up to me and my wife in dire straits over his belief of the new film’s disrespect of the space drama’s canon.
“The finale, shot-for-shot, matched the finale of (1982’s Star Trek II: The Wrath of Khan),” he shouted at us in the dark.
“Well, they did swap the main characters’ fates this time around,” I antagonized, to my wife’s chagrin. This guy has singlehandedly assured that I won’t be watching anymore of these films in the theater with my wife. Thanks, pal.
OK, this isn’t your father’s Star Trek, or even your older brother’s. But it does manage to hit the sweet spot between Roddenberry devotees, Next Generation Gen X’ers and millennials, who have no intention of looking back as they head warp speed into J.J. Abrams’ universe. But that was the plan all along, wasn’t it?
Am I mistaken in my understanding that the franchise reboot established that this was a different approach to the Trek of yore? Wasn’t the 2009 film’s debut the time to rail against this new Star Trek, or just bow out altogether? That film was a smash, though, drawing in hardcores and newbies alike. My wife, no fan of sci-fi, thought it was fantastic. So if you came back for more, Mr. Shot-by-Shot, why complain? The new franchise is firing on all its Abrams cylinders, which is to say it holds respect for the original series, but doesn’t feel bound to be a slave to it.
Quick summary: Young Capt. Kirk, still the rogue, against-the-regulations leader of the USS Enterprise, is fuel by revenge after the Federation is attacked by an unknown terrorist. Shades of 9/11 abound, as a shaken Federation looks to harsh, secret strategies in the wake of the devastation. This includes the machinations of Dick Cheney, I mean, Peter Weller’s Federation muckety-muck Marcus, whose sneaky efforts could precipitate all-out intergalactic war.
Spock’s cool logical Vulcan mind collides with Kirk’s burning ideas of revenge, but as always, the two level each other out. A quick lovers’ quarrel between Spock and Uhura, Bone’s dalliance with Tribbles and Scotty’s silly/brilliant hijinks fill in the gaps between story proper, which is largely told in bold swaths of action.
Benedict Cumberbatch is wonderfully powerful as Khan. I don’t know how we get from this to Ricardo Montalban, but, hey, this guy was a fierce and daunting opponent who, at turns, outwits and/or outfights the Federation, Kirk, Spock, Marcus and special guest, the Klingons. By the hour-and-a-half mark I was about to put a big “S” on this guy’s chest and call it a day.
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